![]() ![]() Hanon finger wiggling is pointless, no matter how many hours you waste. Several hundred hours a year slogging through endless, equally loud repetitive note patterns won’t help them achieve musical artistry. Pianists need to perform with understanding and expression, enriching their lives as they communicate directly with the minds of their audiences. I, myself, have performed 10/9, 25/1 and 25/7, and would like to learn either of the two C minor études (Revolutionary, Ocean) at some point.Leatham Music Hanon & Czerny Are they worth your time ? #Czerny etudes by difficulty free#Feel free to argue about them with me in the comments. The topmost ranking of this piece should come as no surprise.Īny of the last four could claim the top spot I believe that Chopin himself thought 25/11 was the hardest of all.Īs always with lists like these, they're subjective. One of the most notorious finger-twisters in the piano literature. No letup in the right hand, and one of the longest of the etudes. ![]() Famously difficult, requiring the utmost flexibility in your right hand. 10 (Octaves) Not only do you have to play fast octaves in both hands but there are inner voices amidst the storm of octaves to bring out. The runs and arpeggios here are not as pianistic as some of the other etudes, like 25/2. Works many different parts of your technique. ![]() 10 Lots of shifting touches - legato, staccato, 2-note phrases, hemiolas it's a beautiful and fascinating piece but really hard to bring off. The double-note passages require firm fingers and a relaxed wrist, and are a lot harder than they sound. Awkward if you do not have good inner-finger stretch. Some people will call this piece easier because it lays well under the hands and the patterns are relatively simple, but it's non-stop action up and down the keyboard for 3 minutes or more. 12 (Ocean) Again, fatigue is your enemy here. Your left hand is going to be jumping all over the place. Covers a lot of ground, and again needs to be light and effortless despite the speed. The last of the Trois Nouvelle Etudes could be in this group, because of the difficulty in the two different touches in the right hand. Lays well under the hands but you have to find spots to relax and avoid tension. Voicing the middle section can be a bit challenging, and keeping those chords in the A section clean can be tough. Troublesome if you have small hands, because there are some pretty big arpeggiated chords in it. Those little 32nd note trills towards the end can be challenging. Needs to be feather-light and effortless in the right hand. The first two of the Trois Nouvelle Etudes slot in here, and the first one is probably the easiest of all a fairly straightforward 4-against-3 exercise. ![]() Again, sing out the melody, which was said to be a favorite of Chopin's. This famous piece has a tough section with the double-note sixths in the middle. The hardest part here is bringing out the inner voices when they appear, and some of the arpeggios require a tricky inner-finger stretch. This is one of Chopin's most beautiful pieces sing out the two melody lines. The big run in the middle can be a little troublesome. Left-hand stretches are the only real challenge here. Note the tempo, though: Andante, not Adagio. 10 and 25 into 4 sets of 6, and then order them within the group. I'm going to group the 24 études from op. So "easy" on this list does not mean that you're ready to tackle any of these if you've only ever played the Prelude in E minor or the posthumous Waltz in A minor.Īlso note that some of Chopin's metronome markings are hellaciously fast, and meant for a piano with a lighter action the slow études from op. There are at least fifty pieces of Chopin's that are easier than the easiest of the études. This comes up all the time in this subreddit, so I thought it would be useful to have a list of the Chopin études arranged by difficulty, for aspiring pianists.ĭo note, before I write this list, that *all* of the études are hard. ![]()
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